Sigma was an avant-garde cultural festival that emerged in the mid-1960s, in a bourgeois and conservative Bordeaux.
I was brought in by Éditions Atlantica to take on this bold project, and was given wide creative freedom over the art direction, layout and printing process, though the budget kept options tight.
With such a dense, information-rich book, I chose a Swiss-style layout: a grid both rigorous and flexible, which let me introduce a sense of movement that sets the rhythm across all 380 pages.
